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The Procession at Gistel, 1934

  • drypoint, paper
  • 175 x 235 mm
  • Inv. 1998-B-132

Public Domain

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Around 1930 Ensor, in the company of his friend Albert Croquez, witnessed the procession of Godelieve in Gistel. The artist elaborated the colourful procession into a painting in 1932, and two years later he etched the same scene in drypoint. Although the print is artistically and technically one of Ensor's least successful etchings, its great rarity should be emphasised.

Artist

James Ensor RKD VIAF Wikidata
Ostend 1860 - Ostend 1949

Title The Procession at Gistel
Date 1934
Period 20th century
Location Gistel TGN
Medium and support drypoint AAT
Signatures, inscriptions, and markings inscription on the reverse: AT
inscription on the reverse: 1998-B1 32
Collection print room
Object type drypoint AAT
Inventory number 1998-B-132
Acquisition credit purchase
Taevernier, Auguste (coll.)
1998
Current whereabouts Work currently not on display
Permalink https://mskgent.be/collection/work/data/1998-B-132
IIIF Manifest https://imagehub.mskgent.be/iiif/3/4134/manifest.json
Art & Architecture Thesaurus 300056485 fantastic art AAT
Keywords Iconclass 11Q758 procession ~ Christian religion Iconclass
25I22 prospect of village, silhouette of village Iconclass
61E(GHISTELLES) names of cities and villages (GHISTELLES) Iconclass
School / Style phantasy
satire (artistic device) AAT
James Ensor : Catalogue illustré de ses gravures ; Leur description critique et l'inventaire des plaques = Geïllustreerde catalogus van zijn gravures ; Hun kritische beschrijving en inventaris van de platen = Illustrated catalogue of his engravings ; Their critical description and inventary of the plates / Auguste Taevernier. - Ledeberg (Gent) : Erasmus Boekhandel bv Amsterdam, 1973 (nr. 132)
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