Henry Leys’ first paintings were historical scenes similar to those by Gustaaf Wappers. However, this ‘dramatic realism’ did not really appeal to him. Following a trip through Germany he was inspired by the styles of Dürer, Holbein and Cranach. From then on his subjects were based on the atmosphere of sixteenth-century middle-class society and on literature. Walk Outside the Walls illustrates a scene from Goethe’s Faust. However, the scene is not set in Nürenberg but on the ramparts of Antwerp. Despite the static composition we can feel the psychological tension in the scene depicted here. This painting helped to establish Leys’ international reputation. The public admired the way he brought the past to life through the precise depiction of architecture and costumes, and the realistic and romantic elements in his portrayal of reality.
Artist |
Henri Leys
RKD
VIAF
Wikidata
|
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Title | A Walk Outside the Walls |
Date | 1854 |
Period | 19th century |
Signatures, inscriptions, and markings | signature and year bottom right on a stone: HLeys f. 1854 |
Collection | paintings AAT |
Object type | oil paintings (visual works) AAT |
Inventory number | 1998-D |
Acquisition credit |
long-term loan
Koninklijke Verzameling Brussels 1998 |
Current whereabouts | Work on display |
Permalink | https://mskgent.be/collection/work/data/1998-D |
IIIF Manifest | https://imagehub.mskgent.be/iiif/3/4137/manifest.json |
Art & Architecture Thesaurus | 300033898 history paintings AAT |
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Keywords Iconclass |
22
natural phenomena
Iconclass
22C light Iconclass 22C1 natural light Iconclass 22C11 rays of natural light Iconclass 23T27(16) modern division of historical epochs ~ centuries (16) Iconclass 24A2 sunset Iconclass 24A21 dusk, evening twilight Iconclass 25G11 groups of trees Iconclass 25G3 trees Iconclass 25I city-view, and landscape with man-made constructions Iconclass 25I1 city-view in general; 'veduta' Iconclass 25I12 prospect of city, town panorama, silhouette of city Iconclass 25I146 city-walls Iconclass 25I1461 city-gate Iconclass 25I15 monumental adornments (in city) Iconclass 26A clouds Iconclass 31A235 sitting figure Iconclass 31A71 male sex; man Iconclass 31A72 female sex; woman Iconclass 31AA235 sitting figure - AA - female human figure Iconclass 31D11221 boy (child between toddler and youth) Iconclass 31D11222 girl (child between toddler and youth) Iconclass 31D12 youth, young man, adolescent Iconclass 31D120 Youth, Adolescence, 'Iuventus'; 'Adolescenza', 'Gioventu' (Ripa) Iconclass 31D13 adolescent, young woman, maiden Iconclass 31D130 Maidenhood Iconclass 31D14 adult man Iconclass 31D15 adult woman Iconclass 41A1 civic architecture; edifices; dwellings Iconclass 41A11 palace Iconclass 41A111 hotel, i.e. small palace in city Iconclass 41A14 urban housing Iconclass 41A143 detached house in city Iconclass 41D2 clothes, costume Iconclass 42B parents with their children Iconclass 42B1 parental love Iconclass 42B741 father and child(ren), man and child(ren) (family group) Iconclass 42B742 mother and child(ren), woman and child(ren) (family group) Iconclass 43B13 walking, hiking (recreation) Iconclass 45K1 fortifications, military engineering Iconclass 45K14 fortified city Iconclass 61B2(VON GOETHE, Johann Wolfgang) historical person (VON GOETHE, Johann Wolfgang) Iconclass 83(GOETHE, Faust) (scenes from) specific works of literature: Goethe, Faust Iconclass |
School / Style | historicism (theory) AAT |
Feast of Fools : Bruegel herontdekt = Bruegel rediscovered (tentoonstelling Gaasbeek, Kasteel van Gaasbeek, 07.04.2019 - 28.07.2019) / Hans Devisscher, Marieke Debeuckelaere, Leen Huet, Luc Vanackere, Peter Verhelst, Luk Lambrecht, Lieze Eneman. - Gaasbeek : Kasteel van Gaasbeek, 2019 ; Gent : Snoeck, 2019 (p. 49) |
Uitbundig Verleden : de Bourgondiërs door Romantische ogen = Amour, guerre et beauté : des ducs de Bourgogne aux Habsbourg (tentoonstelling Mechelen, Museum Hof van Busleyden, 27.11.2021 - 27.02.2022 ; Bourg-en-Bresse, Monastère royal de Brou, 26.03 - 26.06.2022) / Magali Briat-Philippe, Pierre-Gilles Girault, Bart Stroobants, Eveline Deneer, Elodie Lecuppre-Desjardin, Jan Dirk Baetens. - Gent : Uitgeverij Snoeck, 2021 (p. 64-65) |
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