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The Saleswoman of Gooseberries (nach Félicien Rops)

  • etching, mezzotints (prints), paper
  • 388 x 307 mm
  • Inv. 1994-Q

Public Domain

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Posthumous etching by Albert Emmanuel Bertrand, after a drawing by Félicien Rops, published by Charles Vos in Brussels.

Artist

Félicien Rops RKD VIAF Wikidata
Namur 1833 - Corbeil-Essonnes 1898
after

Albert Emmanuel Bertrand RKD
Paris 1854 - Paris 1912
etchersAAT

Charles Vos
Brussels 1900
publisherAAT

Title The Saleswoman of Gooseberries (nach Félicien Rops)
Period 20th century
Location Brussels TGN
Medium and support etching AAT
mezzotints (prints) AAT
Signatures, inscriptions, and markings signatures (names) top right: F. Rops
Collection print room
Object type etching AAT
mezzotints (prints) AAT
reproductive prints AAT
Inventory number 1994-Q
Acquisition credit gift
Pynaet-De Leye (coll.)
Ghent
1994
Current whereabouts Work currently not on display
Permalink https://mskgent.be/collection/work/data/1994-Q
IIIF Manifest https://imagehub.mskgent.be/iiif/3/3970/manifest.json
Art & Architecture Thesaurus 300189808 figures (representations) AAT
Keywords Iconclass 25G21(GOOSEBERRY) fruits (GOOSEBERRY) Iconclass
31A72 female sex; woman Iconclass
41D221(HEADSCARF) head-gear (HEADSCARF) Iconclass
46BB21 merchant, salesman - BB - women engaged in trade and commerce Iconclass
48(+431) art (+ copy, copying ~ work of art) Iconclass
61BB111 anonymous historical person portrayed alone - BB - woman Iconclass
School / Style realism (artistic form of expression) AAT
L' oeuvre gravé et lithographié de Félicien Rops : Tome premier: Catalogue de l'oeuvre lithographié ; Tome second: Catalogue de l'oeuvre gravé. Première Partie: Études et compositions ; Tome Troisième: Catalogue de l'oeuvre gravé. Deuxième Partie: Frontispices et illustrations. Troisième Partie: Menus, lettrines, marques et invitations. Quatrième Partie: Planches d'essais ; Tome quatrième: Catalogue de l'oeuvre gravé. Cinquième Partie: Planches libres. Catalogues des Reproductions: Table Alphabétique des Planches Décrites / Maurice Exsteens. - Paris : Éditions Pellet, 1928 (dl. IV, nr. 850)
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