| Artist |
Charles Doudelet
RKD
VIAF
Wikidata
|
|---|---|
| Title | I Farisei (The Pharisees) |
| Date | ca. 1915 |
| Period | 20th century |
| Signatures, inscriptions, and markings | signatures (names) bottom right: Charles Doudelet |
| year top centre: 1915 | |
| inscription top centre: Bijbelscene | |
| inscription top left: or 34 | |
| owners mark on the back, bottom right: Mus. A. Vander Haeghen/ Gent/ wapenschild | |
| owners mark: Schenking/ 1976/ Rotary Club-Gent/ (logo) | |
| Collection | print room |
| Object type |
pen and ink drawings
AAT
watercolour AAT gouache AAT pencil drawings AAT |
| Inventory number | 2019-ASP |
| Current whereabouts | Work currently not on display |
| Permalink | https://mskgent.be/collection/work/data/2019-ASP |
| IIIF Manifest | https://imagehub.mskgent.be/iiif/3/7581/manifest.json |
| Art & Architecture Thesaurus | 300055874 religious symbolism AAT |
|---|---|
| Keywords Iconclass |
11G
angels
Iconclass
12A Jewish religion and culture Iconclass 12A521 high priest ~ hierarchy of priests Iconclass 12A5211 vestments of high priest ~ Jewish religion Iconclass 22C2 artificial light Iconclass 22C31 radiance emanating from persons or things Iconclass 22C3114 rays as nimbus Iconclass 31A235 sitting figure Iconclass 31A71 male sex; man Iconclass 31A72 female sex; woman Iconclass 31AA233 kneeling figure - AA - female human figure Iconclass |
| School / Style | Symbolism (artistic concept) AAT |
| Charles Doudelet et le symbolisme : les portes d'or (exposition Namur, musée Félicien Rops, 22.10.2022 - 05.03.2023) / Denis Laoureux, Jan Boddaert, Daniel Guéguen, Thomas Deprez, Véronique Carpiaux, Giuseppe Di Stazio. - Milano : SilvanaEditoriale, 2022 (p.152) |
|
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