Charles Verlat (1824-1890) and Victor Servranckx (1897-1965) are not usually mentioned in the same breath. The former was an 'académicien', a traditionalist, director of the Antwerp Royal Academy of Fine Arts for decades, and specialised in portrait and history painting: biblical, mythological, historical and religious themes. Servranckx, on the other hand, is known as one of the earliest abstract artists in Belgium. And yet: various youthful drawings by Verlat in the MSK collection come from Servranckx's eclectic collection. Although he himself went in a completely different direction, he certainly knew how to appreciate a good drawing, even if it came from a highly conservative artist. Verlat made the drawing during his study years at the Antwerp Academy. It illustrates an important aspect of drawing education at that time, namely drawing from a 'living' model (i.e. male nudes).
Artist |
Charles Verlat
RKD
|
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Title | Study after a Plaster Sculpture of a Nude Youth |
Date | 1842 |
Period | 19th century |
Signatures, inscriptions, and markings | inscription top right: Verlat/1er Concours/7ieme/Charles Verlat/1842 |
watermarks: Whatman (CH.415) | |
Collection | print room |
Object type |
charcoal drawings
AAT
pencil drawings AAT |
Inventory number | 2018-EG |
Acquisition credit |
gift
Servranckx-Turcksin, Angelina 2017 |
Current whereabouts | Work currently not on display |
Permalink | https://mskgent.be/collection/work/data/2018-EG |
IIIF Manifest | https://imagehub.mskgent.be/iiif/3/7206/manifest.json |
Art & Architecture Thesaurus | 300189808 figures (representations) AAT |
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Keywords Iconclass |
31A
the (nude) human figure; 'Corpo humano' (Ripa)
Iconclass
31A1 canon, proportions Iconclass 31A14 human figure of ideal proportions, e.g. academic nude Iconclass 31A71 male sex; man Iconclass 48(+431) art (+ copy, copying ~ work of art) Iconclass 48C24 piece of sculpture, reproduction of a piece of sculpture Iconclass |
School / Style | academicism AAT |
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