| Artist |
Charles Doudelet
RKD
VIAF
Wikidata
|
|---|---|
| Title | The Defence of the Ideal |
| Period |
19th century
20th century |
| Medium and support | zincographs AAT |
| Signatures, inscriptions, and markings | signatures (names) in the representation, bottom left: Charles Doudelet |
| inscription outside the depiction, bottom left: Défense de l’Idéal - La lutte entre la Lumière et les / Ténèbres, entre l’Idéal et la Matière, entre le Bien et le / Mal. Des archanges défendent le Temple de l’Idéal / assailli par les démons du matérialisme et par les / Vices | |
| Collection | print room |
| Object type | zincographs AAT |
| Inventory number | 1972-Y |
| Acquisition credit |
purchase
Doudelet (coll.) 1972 |
| Current whereabouts | Work currently not on display |
| Permalink | https://mskgent.be/collection/work/data/1972-Y |
| IIIF Manifest | https://imagehub.mskgent.be/iiif/3/3017/manifest.json |
| Art & Architecture Thesaurus | 300055865 Symbolism (artistic concept) AAT |
|---|---|
| Keywords Iconclass |
11G
angels
Iconclass
11Q712 church (exterior) Iconclass 25F23(TIGER) beasts of prey, predatory animals: tiger Iconclass 25I city-view, and landscape with man-made constructions Iconclass 25I12 prospect of city, town panorama, silhouette of city Iconclass 25II19 metropolis - II - ideal city Iconclass 31A235 sitting figure Iconclass 31A71 male sex; man Iconclass 31A72 female sex; woman Iconclass 31AA235 sitting figure - AA - female human figure Iconclass 33B3 fighting Iconclass 41A1 civic architecture; edifices; dwellings Iconclass 41A14 urban housing Iconclass 46A632 address, talk, lecture (~ meeting) Iconclass 52A4 Imagination; 'Imaginatione' (Ripa) Iconclass 52A44 Fantasy, Caprice; 'Capriccio' (Ripa) Iconclass |
| School / Style | Symbolism (artistic concept) AAT |
| Charles Doudelet et le symbolisme : les portes d'or (exposition Namur, musée Félicien Rops, 22.10.2022 - 05.03.2023) / Denis Laoureux, Jan Boddaert, Daniel Guéguen, Thomas Deprez, Véronique Carpiaux, Giuseppe Di Stazio. - Milano : SilvanaEditoriale, 2022 (p.163) |
|
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