Léon Spilliaert created several self-portraits between 1907 and November 1908, which clearly highlight a change in composition method. In the first portraits dating back to 1907, such as this Silhouette of the Artist, Spilliaert depicts himself against a neutral background. The profound effect of this painting is due to the fact that we are looking at a figure against backlight, which creates a sharp contrast with the intense, summer sunlight outside. James Ensor and Edvard Munch employed a similar technique. The delicate lace curtain, wrought iron window decoration, console and mahogany chair, which form the décor, were probably added later. They are depicted in subtle colours using blue, red and green pencils. In later self-portraits, Spilliaert used a mirror as a structural element.
Artist |
Léon Spilliaert
RKD
VIAF
Wikidata
|
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Title | Silhouette of the Artist |
Date | 1907 |
Period | 20th century |
Signatures, inscriptions, and markings | signature and year top right: L. Spilliaert 07 |
Collection | print room |
Object type |
watercolour
AAT
pastels (visual works) AAT |
Inventory number | 1954-O |
Acquisition credit |
purchase
Spilliaert, Madeleine Brussels 1954 |
Current whereabouts | Work currently not on display |
Permalink | https://mskgent.be/collection/work/data/1954-O |
IIIF Manifest | https://imagehub.mskgent.be/iiif/3/143/manifest.json |
Art & Architecture Thesaurus |
300124520
interior views
AAT
300124534 self-portraits AAT 300189808 figures (representations) AAT |
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Keywords Iconclass |
22C
light
Iconclass
22C1 natural light Iconclass 31A235 sitting figure Iconclass 31A71 male sex; man Iconclass 31D14 adult man Iconclass 41A3311 open window Iconclass 41A335 window-seat Iconclass 41A421 curtains Iconclass 41A721 chairs (furniture forms) Iconclass 43C71511 shadow pictures (~ hand games) Iconclass 48B3 portrait, self-portrait of artist Iconclass 61B2 historical persons Iconclass 61B2(SPILLIAERT, Leon) historical person (SPILLIAERT, Leon) Iconclass 61D(BELGIUM) geographical names of countries, regions, mountains, rivers, etc. (names of cities and villages excepted) (BELGIUM) Iconclass 61E(OSTEND) names of cities and villages (OSTEND) Iconclass |
School / Style | Symbolism (artistic concept) AAT |
Van nu en straks : Belle Epoque in Vlaanderen (tentoonstelling Gent, Sint-Pietersabdij, 9.12.1983 - 5.2.1984) / Vera Claes, Rita Compère, Jenny Dheedene. - Gent : Stad Gent, 1983 (nr. 87) |
Leon Spilliaert in zijn tijd / Francine-Claire Legrand. - Tielt : Uitgeverij Lannoo, 1981 (p. 188, nr. 35) |
Museum voor Schone Kunsten Gent : Tekeningen, pastels en aquarellen; Inventaris / Moniek Nagels. - Gent : Museum voor Schone Kunsten Gent, 1988 (p. 48) |
200 jaar verzamelen : Collectieboek Museum voor Schone Kunsten Gent / Arnout Balis, Robert Hoozee, Maximiliaan P.J. Martens, Paul Van Haute. - Gent : Ludion, 2000 (p. 272 (ill. 155)) |
D'Ensor à Magritte dans les collections du Musée de Gand (exposition Lodève, Musée de Lodève-Hôtel du Cardinal de Fleury, 19 novembre 2004 - 27 février 2005) / Maïthé Vallès-Bled, Robert Hoozee, Johan De Smet, Helke Lauwaert, Bruno Fornari. - Lodève : Musée de Lodève, 2004 ; Milano : Mazzotta, 2004 (p. 129-131, cat. 32) |
Kunstenaarsportretten (uit Antwerpen, Brugge en Gent : tentoonstelling Gent, Museum voor Schone Kunsten, 26 mei - 19 augustus 2007) / Dorine Cardyn-Oomen, Nanny Schrijvers, Monique Tahon-Vanroose. - Gent : Vlaamse Kunstcollectie, 2007 (p. 58, nr. 60 (ill.)) |
Het Museum voor Schone Kunsten Gent : een keuze uit de mooiste werken / Patrick De Rynck. - Gent : Ludion, 2007 (p. 94 (ill.)) |
Belgische schone : Ensor tot Magritte ; Hoogtepunten uit de verzameling van het Museum voor Schone Kunsten Gent (tentoonstelling Laren, Singer Laren, 16.06 - 30.08.2015) / Johan De Smet, Jan Rudolph De Lorm. - Gent : Museum voor Schone Kunsten Gent, 2015 ; Laren : Singer Laren, 2015 ; Heule : Uitgeverij Snoeck, 2015 (cat. 22 (ill.)) |
Antwerpen - Brugge - Gent : De musea en hun kunstschatten van Van Eyck tot Magritte ; ontdek het rijke erfgoed in drie Vlaamse steden ; de Vlaamse Kunstcollectie / Geert Souvereyns, Till-Holger Borchert, Paul Vandenbroeck. - Dijon : Éditions Faton, 2007 (p. 85 (ill.)) |
James Ensor : Schrecken ohne Ende (Ausstellung Wuppertal, Von der Heydt-Museum, 12. Oktober 2008 - 8. februar 2009) / Gerhard Finckh, Joachim Heusinger von Waldegg, Herwig Todts, Norbert Hostyn. - Wuppertal : Von der Heydt-Museum, 2008 |
Léon Spilliaert (Exhibition London, Royal Academy of Arts, 23.02.2020 - 25.05.2020 ; Paris, Musée d'Orsay, 15.06.2020 - 13.09.2020) / Anne Adriaens-Pannier, Adrian Locke, Leïla Jarbouai, Noémie Goldman, Will Stone, Anna Testar, Luc Tuymans. - London : Royal Academy of Arts, 2020 |
Léon Spilliaert (1881-1946) : Lumière et solitude (exposition Paris, Musée d'Orsay, 13.10.2020 - 10.01.2021 ; London, Royal Academy of Arts, 23.02.2020 - 25.05.2020) / Anne Adriaens-Pannier, Leïla Jarbouai, Noémie Goldman, Sébastien Mullier, Will Stone, Anna Testar. - Paris : Editions de la Réunion des musées nationaux-Grand Palais, 2020 |
Gewagte Visionen : George Minne und Léon Spilliaert : Vom Symbolismus zum Expressionismus (Ausstellung Neuss, Clemens Sels Museum, 22.10.2023 - 03.03.2024) / Bettina Zeman, Ralph Gleis, Cathérine Verleysen, Noémie Goldman. - Neuss : Clemens-Sels-Museum, 2023 ; Köln : Wienand Verlag, 2023 (pp.72-73, p.151) |
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