| Artist |
Jules De Bruycker
RKD
VIAF
Wikidata
|
|---|---|
| Title | The Ambush |
| Date | 1918 |
| Period | 20th century |
| Signatures, inscriptions, and markings | signature and year bottom right: J D.Bruycker / 1918 |
| inscription left of centre: Neutralité / de la / Belgique | |
| inscription top right: [...] | |
| inscription top right: RUST / IN / VREDE | |
| Collection | print room |
| Object type |
pencil drawings
AAT
ink drawing charcoal drawings AAT chalk drawings AAT |
| Inventory number | 1932-ES |
| Acquisition credit |
gift
Singelijn-Buydens (coll.) Aalst 1932 |
| Current whereabouts | Work currently not on display |
| Permalink | https://mskgent.be/collection/work/data/1932-ES |
| IIIF Manifest | https://imagehub.mskgent.be/iiif/3/1293/manifest.json |
| Art & Architecture Thesaurus | 300189808 figures (representations) AAT |
|---|---|
| Keywords Iconclass |
11D35
specific types of crucified Christ (in non-narrative context)
Iconclass
11Q712 church (exterior) Iconclass 31A21 (human) skeleton Iconclass 31A233 kneeling figure Iconclass 31A71 male sex; man Iconclass 33B3 fighting Iconclass 45 warfare; military affairs Iconclass 45A1 war Iconclass 45A10 symbols, allegories of war; 'Guerra' (Ripa) Iconclass 45B the soldier; the soldier's life Iconclass 45C19(GAS MASK) protective weapons (GAS MASK) Iconclass 45D313 private soldier Iconclass 45H12 surprise attack (from ambush) Iconclass 45K siege, position war Iconclass 45L43 devastated, ruined place or city (~ warfare) Iconclass 61D(FLANDERS) geographical names of countries, regions, mountains, rivers, etc. (names of cities and villages excepted) (FLANDERS) Iconclass 61I(WORLD WAR I) names of historical events and situations (WORLD WAR I) Iconclass |
| School / Style | phantasy |
| Catalogus van het Museum van Schoone Kunsten Gent : II: Moderne Meesters / Georges Chabot, Fritz Van Loo. - Gent : Ad. Hoste, 1932 (p. 172) |
| Museum voor Schone Kunsten Gent : Tekeningen, pastels en aquarellen; Inventaris / Moniek Nagels. - Gent : Museum voor Schone Kunsten Gent, 1988 (p. 9) |
|
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