George Morland is best known for his rustic genre scenes. Depictions of ordinary people and things have been quite popular since the 17th century under the influence of contemporary Dutch and Flemish painters who were the first to make everyday life an artistic theme. This tradition of genre paintings is well known in England because many Flemish and Dutch painters worked in England in the 17th century. These paintings inspired 18th- and 19th-century British painters in the choice of their subjects. Morland came into direct contact with paintings, especially landscapes, by these old Dutch and Flemish masters at an early age. From the age of fourteen to twenty-one, Morland helped out in his father's practice where such paintings were restored and sold. His love of rural everyday life was stimulated by his many stays in the countryside. In The Boar Keeper we see a daily activity from rural life at the time. The scene is depicted in all its simplicity. The composition is simple and clear, as in Morland's other works, and the colours are warm. The painting appears to have been made in a short space of time and is not very elaborate.
Artist |
George Morland
RKD
|
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Title | Swineherd |
Period |
18th century
19th century |
Location | United Kingdom TGN |
Collection | paintings AAT |
Object type | oil paintings (visual works) AAT |
Inventory number | 1920-I |
Acquisition credit |
gift
The Friends of the Museum Ghent 1920 |
Current whereabouts | Work currently not on display |
Permalink | https://mskgent.be/collection/work/data/1920-I |
IIIF Manifest | https://imagehub.mskgent.be/iiif/3/847/manifest.json |
Art & Architecture Thesaurus |
300015636
landscapes
AAT
300189808 figures (representations) AAT 300263554 animal paintings AAT |
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Keywords Iconclass |
25H1
landscapes in the temperate zone
Iconclass
25I3 farm or solitary house in landscape Iconclass 26A clouds Iconclass 41A17 farm (building) Iconclass 41A54 fence, wall, paling Iconclass 46A14 farmers Iconclass 47I212 pig Iconclass 47I221 herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Iconclass 47I2271 stall, stable Iconclass |
School / Style | Romantic (modern European styles) AAT |
Museum van Schoone Kunsten : Catalogus ; Oude Meesters, Schilderstukken, teekeningen, plaatsneden (met geschiedkundig overzicht) / Maurice Dupuis, Georges Charles Nicolas Marie Hulin de Loo, Fritz Van Loo. - Gent : Drukkerij F. De Vos, 1938 ; Gent : Stad Gent, 1938 (p. 100-101) |
Chefs-d'oeuvre du Musée des Beaux-Arts de Gand (exposition itinérante 'Quarante chefs-d'oeuvre du Musée des Beaux-Arts de Gand' Bruxelles, Musées royaux des Beaux-Arts de Belgique, 12 février - 6 mars 1949 ; Liège, 12 mars - 3 avril 1949 ; Luxembourg, 9 avril - 1 mai 1949 ; Lille, 14 mai - 12 juin 1949) / Georges Chabot, Paul Eeckhout. - Bruxelles : Editions de la Connaissance, 1949 (nr. 32) |
British 18th Century Painters in Oils and Crayons / Ellis Kirkham Waterhouse. - Suffolk : Antique Collectors' Club, 1981 (p. 246-247) |
British landscape painting : From the Middle Ages to beyond / Michael Rosenthal. - Oxford : Phaidon, 1982 |
British Painting : The Golden Age from Hogarth to Turner / William Vaughan. - London : Thames and Hudson, 1999 (p. 150-161) |
Do you have any suggestions, questions or information about this work? Write us, collectie.msk@stad.gent |