| Artist |
Anonymous Master
|
|---|---|
| Title | Pieta and Resurrection |
| Date | ca. 1475 - ca. 1500 |
| Period | 15th century |
| Location | Castile TGN |
| Signatures, inscriptions, and markings | inscription in the nimbuses: SATIVAN, SATA MARIA, SATA MARIA MA. |
| Collection | paintings AAT |
| Object type | oil paintings (visual works) AAT |
| Inventory number | 1901-C |
| Acquisition credit |
gift
The Friends of the Museum Ghent 1901 |
| Current whereabouts | Work currently not on display |
| Permalink | https://mskgent.be/collection/work/data/1901-C |
| IIIF Manifest | https://imagehub.mskgent.be/iiif/3/323/manifest.json |
| Art & Architecture Thesaurus |
300055874
religious symbolism
AAT
300015636 landscapes AAT |
|---|---|
| Keywords Iconclass |
11D
Christ
Iconclass
11D12 the cross ~ symbols of Christ Iconclass 11D3 Christ as adult Iconclass 11D334 adult Christ together with apostles, evangelists, saints, etc. Iconclass 11D351 Christ suffering (with crown of thorns, head usually turned sidewards) Iconclass 11F the Virgin Mary Iconclass 11F25 'Mater Dolorosa' Iconclass 11HH(MARY MAGDALENE) the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge Iconclass 22C311 nimbus, halo ~ radiance emanating from persons or things Iconclass 25G3 trees Iconclass 25H1 landscapes in the temperate zone Iconclass 25H11 mountains Iconclass 25I12 prospect of city, town panorama, silhouette of city Iconclass 26A clouds Iconclass 31B6214 weeping Iconclass 42E31 grave, tomb Iconclass 42E33 sarcophagus Iconclass 45C22 armour Iconclass 45C221 helmet Iconclass 45D313 private soldier Iconclass 56BB1 Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa) Iconclass 61E(JERUSALEM) names of cities and villages (JERUSALEM) Iconclass 73 New Testament Iconclass 73C public life of Christ: from his baptism until the Passion Iconclass 73D Passion of Christ Iconclass 73D58 the superscription: I(esus) N(azarenus) R(ex) I(udaeorum) ~ Christ's crucifixion Iconclass 73D6712 loin-cloth ~ particularities of crucifixion scenes Iconclass 73D71 descent from the cross: Christ is taken down from the cross, usually by Nicodemus and Joseph of Arimathaea who are standing on the ladders (both arms of Christ detached) Iconclass 73D72 the mourning over the dead Christ Iconclass 73D723 Christ lamented by angels Iconclass 73D76 Christ's entombment (possibly by angels) Iconclass 73E1 Resurrection of Christ Iconclass 73E122 Christ, partly visible, standing in the opened sarcophagus Iconclass 73E131(+3) Christ standing on or near the tomb ~ events after the Resurrection (+ angel(s)) Iconclass 73E162 sleeping soldiers at the tomb of Christ Iconclass |
| School / Style | Spanish School |
| Diptiek met piëta en verrijzenis / Louis Maeterlinck. - [s.l.] : [s.n.], [s.a.] (p. 309-313) |
| Museum van Schoone Kunsten : Catalogus ; Oude Meesters, Schilderstukken, teekeningen, plaatsneden (met geschiedkundig overzicht) / Maurice Dupuis, Georges Charles Nicolas Marie Hulin de Loo, Fritz Van Loo. - Gent : Drukkerij F. De Vos, 1938 ; Gent : Stad Gent, 1938 (p. 143) |
| Museum voor Schone Kunsten Gent : Catalogus schilderkunst ; Deel I: 14de - 18de eeuw ; Deel II: 19de - 20ste eeuw / Robert Hoozee, Johan De Smet, Bruno Fornari, Ruth Monteyne. - Gent : Museum voor Schone Kunsten Gent, 2007 (dl. I, p. 190-191 (ill.)) |
| Museum voor Schone Kunsten Gent : De collectie (tentoonstelling vanaf 21 maart 2021) / Johan De Smet, Bart Ooghe, Frederica Van Dam, Lieven Van Den Abeele, Cathérine Verleysen. - Gent : Museum voor Schone Kunsten Gent, 2021 |
| Musée des Beaux-Arts de Gand : La Collection (exposition dès le 21 mars 2021) / Johan De Smet, Bart Ooghe, Frederica Van Dam, Lieven Van Den Abeele, Cathérine Verleysen. - Gand : Musée des Beaux-Arts de Gand, 2021 |
| Museum of Fine Arts Ghent : The Collection (exhibition opened on March 21th 2021) / Johan De Smet, Bart Ooghe, Frederica Van Dam, Lieven Van Den Abeele, Cathérine Verleysen. - Ghent : Museum of Fine Arts Ghent, 2021 |
|
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