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The Supper at Emmaus, 1664

  • oil paint, canvas
  • 217 x 226 cm
  • Inv. 1955-M

Public Domain

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In the gospel of Luke we are told how, on the day after his resurrection, two of Jesus’ disciples met him on their way to the village of Emmaus. It was not until Jesus broke the bread at the inn that they recognised him. The pyramid of salt on the table is a symbol of hospitality. From time immemorial cats have symbolised immortality. A soft chiaroscuro surrounds the monumental, life-size figures. The painting was formerly attributed to Philippe de Champaigne, who frequently painted this subject. At present day, the work is generally attributed to his nephew Jean-Baptiste de Champaigne. Characteristic for the work of both uncle and nephew is the gentle, subdued nature of the facial expressions and the gestures of the figures.

Artist

Jean-Baptiste de Champaigne RKD
Brussels 1631 - Paris 1681
painters (artists)AAT

Title The Supper at Emmaus
Date 1664
Period 17th century
Location France TGN
Signatures, inscriptions, and markings year at the bottom centre on a table leg: A° 1664
Collection paintings AAT
Object type oil paintings (visual works) AAT
Inventory number 1955-M
Acquisition credit purchase
d'Ursel, Robert
Brussels
1955
Current whereabouts Work on display
Permalink https://mskgent.be/collection/work/data/1955-M
IIIF Manifest https://imagehub.mskgent.be/iiif/3/2417/manifest.json
Art & Architecture Thesaurus 300055874 religious symbolism AAT
300015636 landscapes AAT
Keywords Iconclass 11D Christ Iconclass
11D334 adult Christ together with apostles, evangelists, saints, etc. Iconclass
11H(PETER) the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara Iconclass
11II32 the twelve apostles ~ the twelve prophets - II - the apostles with Matthias instead of Judas Iscariot Iconclass
25F animals Iconclass
25G21(FIG) fruits: fig Iconclass
25G21(LEMON) fruits: lemon Iconclass
25G21(OLIVE) fruits: olive Iconclass
25H11 mountains Iconclass
25H12 dale, valley Iconclass
25I5 landscape with tower or castle Iconclass
31A25 postures and gestures of arms and hands Iconclass
31A2551 postures and gestures of the hand Iconclass
34B1 domestic animals, kept in the house Iconclass
34B12 cat Iconclass
41A711 table Iconclass
41C3 laid table: table-ware, table-decoration, etc. Iconclass
41C31 table-ware Iconclass
41C311 table-knife Iconclass
41C314 salt-cellar, salt-shaker Iconclass
41C341 dish, plate, saucer Iconclass
41C37 table-cloth Iconclass
41C621 bread, loaf Iconclass
41C653(ORANGE) fruit (ORANGE) Iconclass
41C661 salt Iconclass
41D2332 shoes, sandals Iconclass
46C513 'en route', traveller under way Iconclass
48C16 architectural detail Iconclass
48C161 column, pillar ~ architecture Iconclass
58B3 Immortality, Imperishableness; 'Immortalita' (Ripa) Iconclass
73 New Testament Iconclass
73E events from Resurrection to Pentecost (Matthew 28; Mark 16; Luke 24; John 20-21; Acts 1:3-11); Mary's and Joseph's death Iconclass
73E343 the supper at Emmaus: Christ is recognized while blessing or breaking the bread Iconclass
73F21 life and acts of Peter Iconclass
School / Style classicism AAT
Les Disciples d'Emmaüs de Philippe de Champaigne au Musée des Beaux-Arts de Gand / Paul Eeckhout. - [s.l.] : [s.n.], [s.a.] (XX, nr. 706, p. 1-16)
Ons Patrimonium verrijkt. Is "De Emmausgangers" door Philippe de Champaigne, in het Museum van Gent, oorspronkelijk uit Port-Royal? / Paul Eeckhout. - [s.l.] : [s.n.], [s.a.] (nr. 9, p. 171-177)
Gemeentelijke kunstschatten, vijftig schilderijen : Inleiding tot de geschiedenis der gemeentelijke musea / Marinette Bruwier, Paul Eeckhout, Jules Bosmant. - Brussel : De Arcade, 1960 (p. 218-221)
Philippe de Champaigne / Paul Eeckhout. - [s.l.] : [s.n.], [s.a.] (p. 78-79)
Philippe de Champaigne / Jan Pieter Ballegeer. - [s.l.] : [s.n.], [s.a.] (p. 342, nr. 70)
Philippe de Champaigne et les Hieroglyphiques de Pierius / Bernard Dorival. - [s.l.] : [s.n.], [s.a.] (nr. 11)
L' Influence de l'art des Pays-Bas sur la peinture de Philippe de Champaigne / Bernard Dorival. - [s.l.] : [s.n.], [s.a.] (dl. 1, p. 50-52, 55)
Un tableau de Philippe de Champaigne retrouvé: " La translation des reliques de Saint Arnould" / Paul Eeckhout. - Bruxelles : Koninklijke Academie voor Oudheidkunde van België, 1985 (L, p. 9)
Museum voor Schone Kunsten Gent / Robert Hoozee. - Brussel : Ministerie van de Vlaamse Gemeenschap, 1988 (p. 46, 49)
Museum voor Schone Kunsten Gent = Museum of Fine Arts Ghent / Claudie De Guillebon, Jacques Ostier, Robert Hoozee, Monique Tahon-Vanroose. - Parijs : Association des Amis de "Musées 2000", 1989 (p. 33 (ill.))
Le chat et la palette : Le chat dans la peinture occidentale du XVe au XXe siècle / Elisabeth Foucart-Walter, Pierre Rosenberg. - Paris : Adam Biro, 1987 (p. 108)
Philippe de Champaigne et les Symboles du sel / Paul Eeckhout. - Bruxelles : Koninklijke Academie voor Oudheidkunde van België, 1992 (LXI 61, p. 161-180)
Philippe De Champaigne et Port-Royal (exposition Magny-les-Hameaux, Musée National des Granges de Port-Royal, 29 avril 28 aôut 1995) / Claude Lesné, Philippe Le Leyzour. - Magny-les-Hameaux : Musée National des Granges de Port-Royal, 1995 (p. 153-155 (ill. 35))
Philippe de Champaigne ou la présence cachée / Louis Marin. - Paris : Éditions Hazan, 1995 (p. 175-179 (ill. nr. 43))
Oude Meesters uit het Museum voor schone Kunsten Gent in de crypte van de Sint-Baafskathedraal. - Gent : Museum voor Schone Kunsten Gent, 2004 (s.p., cat. 33)
Museum voor Schone Kunsten Gent : Catalogus schilderkunst ; Deel I: 14de - 18de eeuw ; Deel II: 19de - 20ste eeuw / Robert Hoozee, Johan De Smet, Bruno Fornari, Ruth Monteyne. - Gent : Museum voor Schone Kunsten Gent, 2007 (dl. I, p. 28-63 (ill.))
Het Museum voor Schone Kunsten Gent : een keuze uit de mooiste werken / Patrick De Rynck. - Gent : Ludion, 2007 (p. 45 (ill.))
Antwerpen - Brugge - Gent : De musea en hun kunstschatten van Van Eyck tot Magritte ; ontdek het rijke erfgoed in drie Vlaamse steden ; de Vlaamse Kunstcollectie / Geert Souvereyns, Till-Holger Borchert, Paul Vandenbroeck. - Dijon : Éditions Faton, 2007 (p. 50 (ill.))
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